I really did figure I was done with festivals, but last Sunday came around and I remembered I had saved an email from [
CARS] about their last LAVoices event of the season. It was hot, approaching 100ºF and that was reason enough to go. Besides, I needed to pick something up in [
Olvera Street], across from the train station.
L.A. Metro was seriously misbehaving that day. They had plenty of opportunity starting from a visit to their website, to the Sierra Madre Villa station parking lot, to the fare purchasing machines, to the entry gates, to let a rider know that the trains would not be servicing that station on that day and that you would need to take a bus shuttle. Instead, they waited until you got down to the boarding platform to give out that information. Need I say more?
New boarding point - Allen Station. Here is a [
brochure] of L.A. Metro's artwork and artists.
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As I said in an earlier post, there are bells around the city. This one is at the Chinatown station. |
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Don't be fooled, there were plenty of people around. |
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Head toward the light, Luke. Head toward the light. That is, if you want to be a Jedi knight. |
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Wilshire Blvd. temple, the site of the [Voices of L.A.] festival and just beyond it is St. Basil's. |
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The [temple]. Pay attention to the dome. |
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Inside. |
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The murals go all around the sanctuary. You [Trekkies] now know where the Vulcans visited. |
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Here is the dome from the inside. It is a long way up. |
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...and continues inside. |
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There was a service going on, so my access was limited. |
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This relief on the preserved fountain outside the school certainly gives the kids a realistic view of their future. |
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Robert F. Kennedy was [shot] at the site of the school, back when it was still a hotel. |
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This is another fine old building in the area. It is on 6th Street, on block north of Wilshire Blvd. The suite in the tower is the studio of [Raul Vega]. I once had an assignment from him. He needed to shoot some models on the roof of a downtown L.A. building. It was my job to find that building. Can you imagine what is was like for a black guy to walk up to the guard desk of major buildings in downtown and ask for access to the roof so I could take a few shots for a possible project in the future? I got onto more roofs than I expected, but certainly not onto as many as I tried to. |
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Lunch time at the festival. |
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Fusion is the thing, so I ordered a [Kung Pao] chicken tamale. |
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Fusion being the thing, this Latin pop group has an [oud] player. He is a mean soloist. |
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You can't find better [golfing] anywhere in the world. L.A.'s the place! |
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Richard Wyatt again. The other side of the station. |
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This is that courtyard at Union shown in that earlier post in which some of my female ancestors standing. |
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I just needed to buy a [sizzle plate] in Olvera Street. Innocent me, I come out of Union Station and walk right into... |
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Let us take a moment out for some seriousness. These festivals are not all fun and games. You need to behave at them. This building is in eyesight of Union Station. Whenever you see a building with real narrow windows like these, you should know that you are looking at a [prison]. Just sayin'. |
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But none of us are going to prison; we're just havin' fun. |
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Did I say it was nearly 100ºF this day? I needed an [aquas frescas]. Yes, I obscured her face. She is a child, she did not ask to be a star. |
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These junior [mariachis] are not behind bars in that prison, they are behind the railing around the bandstand. This is the best shot I could get. |
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Entering [Olvera Street], where you can find strange and wonderful things. |
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Giant tree in the middle of the Plaza. The light is very hip this time of evening. |
On the ride home, I saw from the window that there was yet another event going on in Chinatown. I stayed on the train; I'd had enough.
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